Clasical essays

Clasical essays Big band refers to a jazz group of 10 or more musicians, usually featuring at least three trumpets, two or more trombones, four or more saxophones, and a rhythm section of accompanists playing some combination of piano, guitar, bass, and drums. Big-band music as a concept for music fans is identified most with the swing era, though there were large, jazz-oriented dance bands before the swing era of the 1930s and 1940s and large jazz-oriented bands after the swing era. Classification difficulties occur when music stores shelve recordings by all large jazz ensembles as though it were a single style, despite the shifting harmonic and rhythmic approaches employed by new ensembles of similar instrumentation that have formed since the swing era. By lumping the music of all large jazz bands together marketers overlook the different kinds of jazz that large groups have performed: swing (Duke Ellington and Count Basie), bebop (Dizzy Gillespie), cool (Gerry Mulligan, Miles Davis, Shorty Rogers, Gil Evans), hard bop (Gerald Wilson, Charles Mingus), free jazz (some of Sun Ra's work after the l950s) and jazz-rock fusion (Don Ellis's and Maynard Ferguson's groups of the 1970s). Not all of them are swing bands. Many listeners consider big band to denote an idiom, not just an instrumentation. For them, the strategies of arranging and soloing that were established during the 1930s link all large jazz ensembles more than the different rhythmic and harmonic concepts dis- tinguishing those of one era, for example, bebop, from those of another, for example, jazz-rock. Another important consideration that journalists and jazz fans of the 1930s and 1940s drew was the distinction between bands that conveyed the most hard-driving rhythmic qualities and frequent solo improvisations and those that conveyed less pronounced swing feeling and improvisation. The former were called swing bands or hot bands (for example, Count Basie's and Duke Ellington's bands)...